Thursday, April 9, 2015

American Western - Quentin Tarantino - Django Unchained

Here we are again!! Did you miss us? After this short break we come back with Django Unchained!! The Director and writter? Quentin Tarantino!!


This film is an American western, as you may know; western is a kind of genre that became very popular in United States from the 1930s to the 1960s. 

 Westerns are often focused on the American frontier during the last part of the 19th century (1865-1900) following the Civil War. They portrayed the conquest of the wilderness and the confiscation of the territorial rights of the original inhabitants.

Iconics elements in westerns are: forts, ranch houses, the isolated homestead, the saloon, the jail, the livery stable, the small-town main street, or small frontier towns…

Quentin Tarantino and Django Unchained

Quentin Tarantino is a well-known director because of his original style. He has always betted high on modern crime thrillers such as Pulp Fiction  or Reservoir Dogs… but he had changed his pattern with Django Unchained, using a real and very sensitive periods of history as a backdrop of classic tells of revenge.

Quentin Tarantino is an American film director, screenwriter, cinematographer, producer, and actor. His films are characterized by non-linear storylines, satirical subject matter, and violence. He has received many industry awards, including two Academy Awards, two Golden Globe Awards, two BAFTA Awards and the Palme d'Or.

Django Unchained was released on December 25, 2012, in the United States by The Weinstein Company.


PLOT: Texas, 1858, Django (Jamie Foxx) is a black slave who is traveling on foot with some others slaves in order to be sold. The owners of these slaves met a German bounty hunter (in that time a bounty hunter captures fugitives for monetary rewards) named Dr. King Shultz (Chirstoph Waltz). Shultz asked to buy Django because he knew about the Brittle Brothers. As the owners doubted about the identity of Shultz, he decided to kill them and free the slaves and he gave an advice: going to the north because there they will be freer than the south… (Remember, dear friends, what we studied about the reasons of the Civil war and the fight of Lincoln against slavery)

After killing the Brittle Brothers, Shultz offers Django his freedom in exchange for collaboration in his duties. They become partners and Django began to learn how to use guns. Dr. Shulzt decided to help Django and free his wife Broomhilda, a black slave working in Mississippi under the leading of Calvin Candie (Leonardo Dicaprio). He is known because of his charm but his brutal leading of the Candyland plantation (Remember how cruelty were black slaves treated in the south, and how the white owners used to live… )

Django and Shultz travelled together to Mississippi, in order to free Django’s wife with some tricks. I am not going to tell you how it ends, because we hate SPOILERS! But I deeply recommend you this awesome film!!!!
The landscapes, the luxury, the life routine of black slaves, and how surprised were the citizens when they saw a black men dressed with fancy clothes, riding a horse and using arms…. Are some elements that may you evoke what we have already studied!!! 

CRITIC:
Roger Ebert of the Chicago Sun-Times: "The film offers one sensational sequence after another, all set around these two intriguing characters who seem opposites but share pragmatic, financial and personal issues."

Peter Bradshaw, film critic for The Guardian: "I can only say Django delivers, wholesale, that particular narcotic and delirious pleasure that Tarantino still knows how to confect in the cinema, something to do with the manipulation of surfaces. It's as unwholesome, deplorable and delicious as a forbidden cigarette."


The New York Times, critic A. O. Scott compared Django to Tarantino's earlier Inglorious Bastards: "Like Inglorious Bastards, Django Unchained is crazily entertaining, brazenly irresponsible and also ethically serious in a way that is entirely consistent with its playfulness."

Richard Brody,wrote in The New Yorker that Tarantino's "vision of slavery's monstrosity is historically accurate.... Tarantino rightly depicts slavery as no mere administrative ownership but a grievous and monstrous infliction of cruelty."





BIBLIOGRAPHY

http://www.filmsite.org/westernfilms.html
http://screenrant.com/quentin-tarantino-western-django-unchained/
http://en.wikipedia.org/wiki/Bounty_hunter
CRITICS : http://en.wikipedia.org/wiki/Django_Unchained